{"id":15,"date":"2020-11-16T16:18:45","date_gmt":"2020-11-16T16:18:45","guid":{"rendered":"https:\/\/anthonyfolliard.fr\/01\/?p=15"},"modified":"2026-04-30T09:38:51","modified_gmt":"2026-04-30T09:38:51","slug":"5-poeme-collage","status":"publish","type":"post","link":"https:\/\/anthonyfolliard.fr\/01\/5-poeme-collage\/","title":{"rendered":"Po\u00e8me-collage"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":16,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[38,51],"tags":[73],"class_list":["post-15","post","type-post","status-publish","has-post-thumbnail","hentry","category-alles","category-education","tag-atelier-workshop"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 3,\r\n \"rowGutters\": [\r\n 2,\r\n 3,\r\n 3\r\n ],\r\n \"frameMargin\": 2,\r\n \"leftFrameMargin\": 2,\r\n \"rightFrameMargin\": 2,\r\n \"topFrameMargin\": 8,\r\n \"bottomFrameMargin\": 2,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 6\r\n },\r\n {\r\n \"relid\": 10\r\n },\r\n {\r\n \"relid\": 4\r\n },\r\n {\r\n \"relid\": 8\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Cours publics Design graphique
<\/em>par Anthony Folliard \u2022 EESAB \u2013 site de Rennes<\/span><\/strong><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

#5 \u2013 10.11.2020<\/span>
\u00ab Collage : la presse \u00e0 l\u2019\u0153uvre \u00bb<\/strong><\/span>
Rythme, r\u00e9p\u00e9tition et\u00a0accumulation<\/strong><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-2.jpg\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 306,\r\n \"attid\": 17,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-2.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-2-1280x843.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-2-1024x675.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-2-768x506.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-2-512x337.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-2-265x175.jpg\"\r\n },\r\n \"w\": 1876,\r\n \"h\": 1236,\r\n \"ar\": 0.6588486140724946,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Extrait de Poisson soluble II<\/i>, cahiers d\u2019\u00e9criture automatique \u2014 Andr\u00e9 Breton, 1924<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 165,\r\n \"absolute_position\": false\r\n }\r\n ],\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 14,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 163,\r\n \"attid\": 16,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-1280x615.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-1024x492.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-768x369.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-512x246.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2020\/11\/Andre\u0301-Breton-265x127.jpg\"\r\n },\r\n \"w\": 1610,\r\n \"h\": 774,\r\n \"ar\": 0.48074534161490684,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Au cours des premi\u00e8res s\u00e9ances nous avions engag\u00e9 un travail de composition \u00e0 travers l\u2019exploration des principes de\u00a0perspective<\/b> (atmosph\u00e9rique) et de sym\u00e9trie\/asym\u00e9trie<\/b> dans l\u2019espace de cr\u00e9ation. L\u2019atelier s\u2019est poursuivi avec un travail sur le jeu de contraste<\/b>, d\u2019\u00e9quilibre<\/b> et de mouvement<\/b> combinant \u00e9l\u00e9ments photographiques et\u00a0aplats color\u00e9s. Lors du dernier cours, nous commencions tout juste \u00e0 aborder la notion typographique par l\u2019int\u00e9gration de lettres, de mots ou de phrases courtes dans nos compositions, venant ainsi ponctuer l\u2019espace et modifier le regard par la signification potentielle que ce nouvel \u00e9l\u00e9ment s\u00e9mantique peut apporter.<\/span><\/p>

Je vous propose de poursuivre cette exploration des fondamentaux plastiques en r\u00e9alisant un travail autour du rythme<\/b>, par le biais de la r\u00e9p\u00e9tition<\/b> et\u00a0de l\u2019accumulation,<\/b> \u00e0 partir d\u2019\u00e9l\u00e9ments photographiques et typographiques que vous pouvez facilement collecter chez vous dans des publications anciennes.
<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 164,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Rappel de quelques principes fondamentaux mis en jeu :<\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 166,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u2022 Contraste
\u2013 de tailles
\u2013 de formes
\u2013 de quantit\u00e9s
\u2013 de valeurs<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 167,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u2022 \u00c9quilibre
\u2013 plein\u2009\/\u2009vide
\u2013 \u00e9pur\u00e9\u2009\/\u2009satur\u00e9
\u2013 forme\u2009\/\u2009contreforme
\u2013 visible\u2009\/ cach\u00e9<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 168,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u2022 Rythme
\u2013 r\u00e9p\u00e9tition
\u2013 variation
\u2013 rupture, dissonance
\u2013 harmonie<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 169,\r\n \"absolute_position\": false\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exercice 1 : collage typographique<\/span><\/span><\/p>

\u2013 Tracer un format 15\u2009*\u200920 cm dans un A3
<\/span>\u2013 D\u00e9couper une collection de titres en tout genre dans de vieux journaux ou revues
<\/span>\u2013 Ne collecter que les titres de couleur noir
<\/span>\u2013 Assembler les coupures de presse par empilement (chaque ligne doit rester horizontale)
<\/span>\u2013 Composer des po\u00e8me-collage \u00e0 la mani\u00e8re d\u2019Andr\u00e9 Breton<\/span><\/p>

Prenez soin, au del\u00e0 de l\u2019aspect po\u00e9tique, de vous int\u00e9ressez \u00e0 chaque fois au rythme, \u00e0 l\u2019\u00e9quilibre et au contraste dans vos compositions\u00a0: diff\u00e9rences de polices des caract\u00e8re, de graisses, de corps, de longueurs de mots ou de lignes, etc.<\/span>
Vous pouvez proc\u00e9der par \u00e9tape : limitez-vous \u00e0 3 lignes dans un premier temps (collage-ha\u00efku) puis augmentez le nombre de lignes petit \u00e0 petit : 5, 10, 15... en r\u00e9alisant ainsi une premi\u00e8re s\u00e9rie de cr\u00e9ations.<\/span>
Vous pouvez ensuite choisir de modifier quelques param\u00e8tres au fur et \u00e0 mesure des variations afin d\u2019\u00e9largir le champ d\u2019exploration de l\u2019exercice : vous pouvez cr\u00e9er une rupture en ajoutant un \u00e9l\u00e9ment en couleur dans la composition, en jouant sur l\u2019inclinaison ou le retournement d\u2019un des \u00e9l\u00e9ments, en sectionnant partiellement un \u00e9l\u00e9ment ou en le cachant sous un autre, etc.<\/span><\/p>

\u2192 Dada, typographie & langage<\/i><\/span>
Index Grafik \u2013 Augustin Manaranche, 2016<\/span>
http:\/\/indexgrafik.fr\/dada-typographie-langage\/<\/span><\/a><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/posts\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":0,"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/posts\/15\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/media\/16"}],"wp:attachment":[{"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/media?parent=15"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/categories?post=15"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anthonyfolliard.fr\/01\/wp-json\/wp\/v2\/tags?post=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}